Rowan Davies is a Tech and Entertainment Journalist at TechRadar, where he deciphers the intersection of streaming culture, software updates, and consumer tech. Based in the UK, his work combines technical expertise with a critic’s eye, making him a go-to source for understanding how technology shapes media consumption.
“The best tech journalism doesn’t just explain how something works—it asks why it matters.” – Rowan Davies, 2025
We’ve followed Rowan Davies’s work as he evolved from a Cardiff-based culture writer to a versatile voice at TechRadar, blending tech analysis with entertainment critique. His early contributions to Buzz magazine, where he reviewed music, film, and conducted interviews, laid the groundwork for his nuanced approach to storytelling. At TechRadar, he bridges the gap between consumer tech and streaming culture, offering readers actionable insights into the ever-changing media landscape.
This article exemplifies Davies’s ability to curate high-quality streaming content while contextualizing its cultural significance. He analyzes Prime Video’s April 2025 lineup, highlighting critically acclaimed dramas like Conclave and Nickel Boys, both adapted from award-winning novels. Davies goes beyond synopses, interviewing industry insiders to explain why these titles resonate in today’s socio-political climate. His methodology combines data (Rotten Tomatoes scores) with qualitative analysis, offering readers a roadmap for meaningful viewing.
Here, Davies shifts to troubleshooting journalism, addressing a widespread tech grievance with precision. He crowdsourced solutions from Roku forums, tested fixes like cache-clearing and firmware updates, and provided step-by-step remedies. The article’s impact was immediate: TechRadar saw a 37% traffic spike from search queries like “YouTube TV Roku gone.” Davies’s approach blends user advocacy with technical rigor, reflecting his knack for translating complex tech issues into accessible guidance.
In this investigative piece, Davies dissected a glitch that showed ads on Premium accounts, interviewing app developers and Spotify reps to trace its origins. His findings suggested internal testing of a hypothetical “Premium Lite” tier, sparking debates about subscription fatigue. The article was cited by The Verge and Billboard, underscoring Davies’s role as a tech-industry watchdog.
Davies prioritizes stories about streaming tech advancements, such as AI-driven recommendation engines or accessibility features. For example, his coverage of Max’s “Flow” algorithm (2025) explored how machine learning curates watchlists. Pitch him data-rich exclusives about platform updates, emphasizing user experience over corporate metrics.
He’s keen on collaborations between tech giants and content creators, like Apple TV+’s deal with A24 for indie films. A successful pitch might explore how Amazon’s Alexa+ integration with Prime Video could revolutionize voice-controlled viewing.
Davies critiques opaque algorithms and data privacy concerns, as seen in his Spotify investigation. Pitches about transparent AI in media or sustainability initiatives (e.g., carbon-neutral streaming) would align with his advocacy for responsible tech.
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