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Discover and contact the top Arts journalists in Australia, updated for 2025. If you're interested in contacting Arts journalists, you can sign up below and download the Arts journalists contact list!
Get Contact List →Download Contact ListCurrent search results do not contain sufficient information about journalist Chris Hook. The name may refer to a sports professional (pitching coach for the Milwaukee Brewers) rather than a media figure. Further clarification is needed to provide a meaningful summary.
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Australia's foremost independent arts critic, John McDonald built a 40-year legacy at Sydney Morning Herald before launching his Substack platform in 2024. His work combines razor-sharp institutional analysis with passionate advocacy for artistic integrity.
"True criticism doesn't tear down - it demands institutions earn their public trust daily."
With 15K+ paid subscribers and 82% open rates, McDonald's platform offers unique access to Australia's culturally engaged decision-makers. Pitches should emphasize original documentation and institutional accountability angles.
Julian Meyrick is a distinguished Australian theatre historian, cultural policy analyst, and strategic professor whose career spans academia, arts leadership, and public intellectual discourse. With a focus on the intersection of creative practice and policy frameworks, Meyrick has become a vital voice in debates about Australia's cultural identity and institutional governance.
Meyrick's career began in theatrical production, serving as Associate Director and Literary Adviser at Melbourne Theatre Company (1998-2007). This hands-on experience informed his subsequent academic work analyzing the structural challenges facing Australian arts institutions. His transition to policy analysis accelerated through roles including:
This searing critique of Australia's Coalition government arts policies (2013-2022) combines historical analysis with firsthand experience. Meyrick documents the erosion of cultural infrastructure through specific case studies like the defunding of the National Program for Excellence in the Arts. The article's significance lies in its insider perspective, drawing on Meyrick's participation in parliamentary inquiries and policy consultations. Methodologically, it blends memoir with institutional analysis, creating a hybrid form that personalizes systemic critique.
Assessing Australia's 2023 National Cultural Policy, this analysis demonstrates Meyrick's balanced approach to cultural governance. While acknowledging improvements in funding structures, he questions the policy's emphasis on economic metrics over artistic value. The article contrasts current initiatives with historical precedents like the 2013 Creative Australia framework, using comparative analysis to highlight persistent challenges in arts advocacy.
Published in Griffith Review, this essay articulates Meyrick's core thesis about redefining cultural value beyond quantitative metrics. Through case studies ranging from regional theater to Indigenous art, it argues for assessment frameworks that prioritize social cohesion and intellectual legacy. The piece exemplifies Meyrick's ability to bridge academic research and public policy discourse.
Meyrick consistently engages with proposals that demonstrate understanding of policy mechanics. Successful pitches should include:
His ArtsHub critique of Catalyst funding demonstrates particular interest in how administrative structures affect artistic outcomes.
With major works like Australian Theatre after the New Wave, Meyrick values research illuminating organizational evolution. Compelling angles include:
Meyrick seeks frameworks moving beyond attendance metrics and economic impact studies. Pitch proposals might explore:
His Griffith Review essay provides a template for this approach.
Meyrick's endowed chair recognizes his unique blend of academic and practical expertise. The position enables cross-disciplinary research bridging arts management, historiography, and public policy - a rare trifecta in Australian academia.
Since 2015, Meyrick has shaped this influential quarterly essay series on performing arts. Under
For 19 years, Michael Lallo has shaped Australia's arts discourse through The Age, blending sharp analysis with accessible storytelling. His work sits at the intersection of creative practice and cultural policy, offering unique insights into Melbourne's evolving arts landscape.
With deep institutional knowledge and forward-looking analysis, Lallo remains essential reading for understanding Australian cultural production. His career exemplifies the vital role of arts journalism in nurturing creative ecosystems.
Scott Bevan merges investigative rigor with lyrical storytelling as a senior writer for The Newcastle Herald, focusing on Australia’s coastal communities. With 40+ years spanning broadcast journalism and biographical writing, his work consistently explores:
Avoid pitching:
Recent recognition includes the 2023 Australian Coastal Writing Prize for his series on mangrove restoration projects. Bevan prioritines stories demonstrating long-term community impact over quick-turn news cycles.
Tanya McNaughton is a senior arts writer at The West Australian, specializing in visual arts, theater, and cultural travel. Based in Perth, she shapes public discourse on Australia’s creative economy through:
Recent recognitions include a 2024 WA Media Award nomination for arts reporting excellence.
Happy Meals and Scooter Skids exhibition with Andy Quilty at FORM Gallery and Midland Junction Arts Centre
The Lord Of The Rings – A Musical Tale is one thigh-slapping, foot-tapping adventure absolutely worth the trip to Middle-earth
WA Opera’s The Pirates Of Penzance at His Majesty’s Theatre
As ArtsHub Australia's Reviews and Literary Editor since 2018, Thuy On occupies a unique position as both culture critic and creative practitioner. Her work intersects three primary domains:
Our experience with PressContact has been exceptional.
The media lists provided for Travel and Hospitality have opened doors to major publications, leading to valuable meetings and opportunities.
Thanks a ton!
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